so many hot girls……. all of us 

maybe 5 hot boys 


the world 

4 actually

I tell my students, ‘When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.’
— Toni Morrison (via ethiopienne)
PoC are constantly expected to be emotional midwives to white people. Attempts to claim space or identity for ourselves–without deference to whiteness–are inevitably met with suspicion, anger, fear, and guilt (witness white anger over the President’s racial self-identification). We’re expected to have a conversation on race and racism that centers and assuages white emotions, to speak about race in terms and frameworks that are neither by, for, or ultimately about us. What little space we’re afforded in mainstream media is taken up with 101-level education, demands that we justify our existence, and prove the merit of our perspectives and accomplishments beyond the shadow of a doubt. White critics and, occasionally, other people of color, often feel a casual entitlement to pass judgment on PoC narratives of our own experiences, and on our scholarship, without putting in the effort to learn about or engage with either.
The lengths to which lost love drove men and women never surprised them. They had seen women pull their dresses over their heads and howl like dogs for lost love. And men sat in doorways with pennies in their mouths for lost love. “Thank God,” they whispered to themselves, “thank God I ain’t never had one of them graveyard loves.”
— Song of Solomon
Reblogged from Brother Kahlil


Hip-Hop Artist Akala on -

Being A Man 2014 | Being a Black Man

A panel including hip-hop artist Akala, CEO of Working With Men Shane Ryan, writer and broadcaster Ekow Eshun and filmmaker, theatre director and writer Topher Campbell look at the contradictory and complex ideas around Black masculinity and what tensions arise from stereotypes, colonial histories and economic power.

need a girl with one of these

need a girl with one of these

The Heat of the Sun


Calming the bell was nothing easy. Nor did
the calmness, after, make the air surrounding it—
though at first it had seemed to—any more
       or clear. The usual clouds building up
into shapes I almost recognized, and then
letting go of them. Customs like the breaking
in two of willow branches, which maybe still
stands for parting, somewhere. Maybe the mistake
of hoping
                never to make mistakes is the only
pattern we get to leave behind us: no bells—just
a calmness, after; the air so clear, we forget what
hurt so much and, in forgetting it, think it’s disappeared.

My job is not to produce answers. My job is to produce good questions.
— Glenn Ligon, from: “Glenn Ligon: Interview,” by Lyndon Phillip, International Contemporary Art, September 22, 2005, 12–14. (via studiomuseum)